positivelynoteworthy:

Spring color (via Musa de Lirio)

positivelynoteworthy:

Spring color (via Musa de Lirio)

positivelynoteworthy:

Vintage summer (via Musa de Lirio)

positivelynoteworthy:

Vintage summer (via Musa de Lirio)

audreyhepburncomplex:

milkstudios: Model preparing for the Patrik Ervell show
Photo by Chris Swainston

audreyhepburncomplex:

milkstudiosModel preparing for the Patrik Ervell show

Photo by Chris Swainston

“You’re not going to do it again, are you? “
“I doubt it.”

(Source: androiddavid8, via sleepygab)

Pain is not exclusive to humans.

(via tomasoski)


Elvis and Priscilla Presley, May 1, 1967.
Elvis and Priscilla Presley, May 1, 1967.

(via inmystrawberryfields)

positivelynoteworthy:

Vintage Summer (via Musa de Lirio)

algunos veranos atrás con la Angelita

positivelynoteworthy:

Vintage Summer (via Musa de Lirio)

algunos veranos atrás con la Angelita

cavetocanvas:

William Merritt Chase, A City Park, c. 1887
From the Art Institute of Chicago:

William Merritt Chase’s paintings of public parks in Brooklyn and Manhattan are intimate renditions of familiar locations that chart the artist’s response to America’s rapid urban growth. A City Park is an early example of Chase’s park scenes and exhibits the dramatic spatial effects, high-keyed palette, and small scale that characterize these works and point to French Impressionist influences. It is probable that Chase executed his park scenes, like the French Impressionists, en plein-air. The strong light, vivid color, and fluid brushwork of A City Park suggest a spontaneous method of composition rather than a studio production. The small scale of the work also conforms to Chase’s practice of painting outdoors unburdened by unnecessary or bulky materials.

cavetocanvas:

William Merritt Chase, A City Park, c. 1887

From the Art Institute of Chicago:


William Merritt Chase’s paintings of public parks in Brooklyn and Manhattan are intimate renditions of familiar locations that chart the artist’s response to America’s rapid urban growth. A City Park is an early example of Chase’s park scenes and exhibits the dramatic spatial effects, high-keyed palette, and small scale that characterize these works and point to French Impressionist influences. It is probable that Chase executed his park scenes, like the French Impressionists, en plein-air. The strong light, vivid color, and fluid brushwork of A City Park suggest a spontaneous method of composition rather than a studio production. The small scale of the work also conforms to Chase’s practice of painting outdoors unburdened by unnecessary or bulky materials.

(Source: chelseainterrupted, via cotona)

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